Stoke Mandeville Hospital Radio - 22nd August 1996
Martin Good evening, with me in the studio tonight I have a
very special guest, Kelly Groucutt, who was in the original "Electric
Light Orchestra" but now in "ELO Part II" who are playing at
Aylesbury this Thursday evening at the Civic Centre there. Good evening
Kelly thanks for coming along.
Kelly Good evening Martin,
its really good to be here.
Martin I'm glad you could make
it. Are you looking forward to playing in Aylesbury?
Kelly
Ooh yes indeed, I'm not sure that we've ever played there before, erm I
don't think so.
Martin No, I don't believe you did.
Kelly No
Martin Nevermind, well good luck
with the gig anyway.
Kelly Thank you.
Martin
Now, you were in the original "ELO" as I said, lets go back a bit
before that because for people that may not know, myself included, what
were you doing before you joined "ELO"?
Kelly Oh all
those years ago! ( he laughs) Actually I joined "ELO" in 1974, so
that's a fair way in the past anyway. I'm getting too old too remember all
these things, but before that I was with several bands around the West
Midlands area, mainly the Black Country. Probably the one that's most
noticeable, or noted, was a band called "Sight and Sound" and in
fact there's still a version of them going.
Martin Is
there?
Kelly That was a, cabaret show band if you like. I
used to do crazy things like shove balloons up a jumper and don a wig and
hotpants and things (laughs) and do an impression of Nancy Sinatra and
stuff like that!
Martin I heard you still did that?!
Kelly Oh no, no, no, no, I gave that up a long time ago!
Martin Wasn't Rick Price in that band as well?
Kelly Erm, he actually was at one point there was a lot of
members in "Sight and Sound" over the years, and Rick Price was one
Martin Right. So how did the big "ELO" job come
along then?
Kelly It was quite a surprise. Actually I knew
Jeff through the drummer in "Sight and Sound" who used to be with
the "Idle Race" , Roger Spencer. Consequently Jeff came to see
"Sight and Sound" work a couple of times and I was introduced to
Jeff through Roger. And this one time he popped in to.. oh in fact I
should say that I left "Sight and Sound", erm in 1974 and for about
6 months I sort of buried myself alive in a night-club in Birmingham,
which was pretty awful! And then one night Jeff Lynne walked in with Bev
Bevan and Richard Tandy and they stood at the back of the place and
watched. One of the band members in fact noticed they were standing there
and in the break Jeff came and asked me if I wanted to join "ELO",
so er..
Martin You said yes!
Kelly I said
"yes thank you!" Please take me away from all this!
Martin
So you were aware of the band at the time then? Obviously.
Kelly I was, I didn't know a great deal but I remember
being impressed with "Showdown" round about that time. I was
knocked out with that as a track, and realised at the time that that's the
band that's asking me to join it!
Martin So can you
remember the first track that you played on?
Kelly Um, I'm
not sure about the first track but the first album, anyway, was "Face
The Music".
Martin Alright we'll play a track from
that. Would you like to pick a track off that for us?
Kelly
I would think the obvious one from there would be "Evil Woman"
EVIL WOMAN Plays
ELO perform Evil Woman on ITVs Supersonic
(Look out for the smoke machine on Hugh McDowell)
Martin"The Electric Light Orchestra" there, "Evil
Woman" and our special guest this evening, Kelly Groucutt, who
actually played on that track and some backing vocals on there as well, I
should think Kelly yeah?
Kelly Yes indeed.
Martin Very good album. Did you enjoy that one?
Kelly I did in fact that was the first real recording I'd
ever done.
Martin Yeah.
Kelly So having been
thrown in the deep end just a few months before that, going to America,
never having owned a passport even! Never been out of the country or
flown, when I joined "ELO" the first thing we did was fly to
America and to Detroit in particular at that time, to start a tour of
America. So that was fairly exciting enough for me never having flown at
all.
Martin It must be, and to hear yourselves on the radio
and watch yourselves on "Top of the Pops" and all that!
Kelly Oh absolutely, and lie in bed at night listening to
the guns going off in the city!! ooh! (Laughs) Very strange.
Martin So what do you think was your... you were with
"ELO" from 74 till about 1983 I believe.
Kelly Yeah
till about then.
Martin What would you say was your
favourite sort of period then with the band?
Kelly Erm,
actually its difficult to say, I suppose everybody would expect me to say
1978 when the "Out of the Blue" thing was going on.
But by that time the stage production was so big that you didn't actually
see the audience, they were so far away with that huge spaceship set that
we had that was sort of 50 feet across and miles away from the audience.
Erm so it was quite enjoyable to be thrust at that height of it because it
was probably about the biggest production on the road that was going on at
that time. And everyone was impressed with it but it was a pain in the
butt actually, to work in that spaceship! So that were exciting times but
I think probably the most exciting was just after I joined, playing to
smaller audiences of perhaps 2,000/ 3,000 sometimes down to maybe 350. And
,you know, that was really good because you were really close to the
audience too.
Martin I remember coming to see you at Oxford
at the time, I think that was the "Face the Music" tour and
"Steve Gibbons Band" were supporting.
Kelly That's
right, yeah.
Martin Yeah.
Kelly And
"Steve Gibbons Band" have supported us in the States on one or two
shows.
Martin Any particular gig that sticks out in your
mind then? I know you mentioned the spaceship tour.
Kelly Really, I suppose talking about the States, erm they
were really big productions over there. The one that springs to mind was
in Anaheim, that's in California, which is outside of Los Angeles. Where
Charlie Curtis opened the show with a sort of sudo laser shoot out with
stunt men on top of the lighting rig, which was a long way up, shooting
them off with a laser which was up his arm to look like a gun so he shot
them down with little lights of laser beam. And that was a huge
production, in fact there was a mock up of the spaceship flown in er, on a
helicopter from a distance to look as if we would land in this spaceship
on the, er behind the stage.
Martin Oh right!
Kelly Before the drapes dropped away to reveal the real
stage. So yeah it was a huge production.
Martin"Out of
the Blue" was certainly a massive selling album don't know if you know
but it sort of tops the charts as the best selling record in second -hand
shops, did you know that?
Kelly No, I didn't know! Really?
Martin Yeah you walk into a second-hand shop you're bound
to see a copy of that album.
Kelly Yeah.
Martin So people must be throwing them out I suppose and
getting it on CD.
Kelly I was gonna say maybe they're just
throwing it out! They're fed up with it after all this time!
Martin O.K. we'll play a track off that, let me see what
track we can play. I think you did a lot of the vocals on "Wild West
Hero" I'd have thought..?
Kelly Er yup.
Martin Hmm. Lets play that one then.
WILD WEST HERO Plays
Promo video for Wild West Hero by ELO
Martin There they go riding out into the distance,
Kelly Yee hah!
Martin"ELO" there and
"Wild West Hero" from the album "Out of the Blue". What do
you think the best thing about being in a mega band was at the time then?
Best and worst then?
Kelly Erm, pwoar blimey! That's a,
that's a good one. Erm I suppose the best was having, having arrived where
you wanted to be, you know? A successful musician I suppose. We were never
sort of mobbed at all - thank God! You know we never had sort of teeny
boppers screaming after us. Which, believe it or not, is a relief, was a
relief because I'm not sure I could stand that sort of thing. So yeah. The
nice thing was to travel all over the world. I mean we're very lucky,
we've been to places like Japan, Australia several times, New Zealand,
Middle East - we've been to with part two. We never did that with the
original "ELO"in fact, but we've been all over the place. Places
like Hawaii, you know where people just dream about going to. And we
actually went and AND got paid for being there, so that's the upside of
it.
Martin So in-between gigging and recording for
"ELO" you also found time to do some solo stuff as well. Did you
enjoy that as much as working with the band or better or..?
Kelly No, actually it was very nerve - wracking.
Martin Yeah?
Kelly With the band , with
"ELO", Jeff was producing everything, I, along with rest of the
guys, threw in sort of ideas so there was a lot of input from all the
other members. But we didn't actually have that pressure of being you
know, the one to make it work. When I did my solo album I was producing it
myself and the pressure is so much more then, the honours is on you if it
doesn't work then you've made a blunders yourself you can't kick anyone
else for it.
Martin Now when I knew you were coming down I
actually went up into the loft and we've found a copy of your solo album.
Maybe you'd like to pick a track off that for us?
Kelly( In surprise) Oh my God! I'll tell you what I'll let you choose
the track you think should be played.
Martin Well I like
the track called "Am I a Dreamer?"
Kelly OK well
that was actually released as a single, actually it did quite well in
Europe.
Martin Mm hmm. Well we'll play that now then.
AM I A DREAMER? Plays
Am I A Dreamer By Kelly Groucutt
Martin That's Kelly Groucutt there, "Am I a Dreamer?"
Kelly was recording some solo stuff like that as well as working with the
"Electric Light Orchestra". And you were also working with a guy
called Jack Green who I believe was formally with "T-Rex". Is that
right?
Kelly That's right. Jack used to er, used to play
bass at one point with "T-Rex". And we at the time just happened to
have the same manager, so I was asked to guest on a couple of er, Jack
Green albums, on one track on each erm, in fact a couple of tracks I think
on one album.
Martin Right.
Kelly Which was
erm not very well, not very involved in it but as a guest was quite nice.
I'd never been asked to play sessions before in fact! (Laughs).
Martin It may have been a bit before your time in "ELO"
but didn't Mark Bolan play on some "ELO" stuff?
Kelly I've heard that from other sources but never from the
horses mouth.
Martin Oh, right.
Kelly So I'm not sure about that.
Martin Er,
we'll pass on that then.
Kelly(Laughs)
Martin O.K. so you left "ELO" about 1983 after many
hit singles and hit albums about 28 hit singles I think "ELO" had.
Kelly Er yeah.
Martin You left the band I
suppose a couple of years before they formally split up. And soon after
you got yourselves a little band together called "OrKestra".
Kelly Yes indeed.
Martin Er, tell us the
reason behind that.
Kelly Well the reason, I suppose the
reason being that er, I'd, this was together with Mik Kaminski, er myself
and Mik had done solo stuff and not been sort of wonderfully successful
with it. Er, Mik had his own band "Violinski" which at that time
had split, I'd done some solo stuff and sort of you know, didn't really
have the sort of recondition that I'd liked to have got and there was
still ideas floating around so we decided to pool our resources and put
together a band called "OrKestra" which was, I suppose, a
forerunner of "Electric Light Orchestra Part II". In that we played
a lot of the old "ELO" standards and medleised if that's the right
word, you know some of the really well known ones because there was so
many and interspersed them with "OrKestra" material from the new
album that we did. So I suppose it was a forerunner of what we're actually
doing right now.
Martin Right, and what did Jeff Lynne
think about that at the time?
Kelly I'm not sure what he
thought about it umm, I know that at the time we had a , some more legal
problems because somebody somewhere.. you can't police the press at all of
course, as you know, and you can't police what people say on radio. Even
if they're aware of it sometimes they'll drop something out inadvertently
and promoters are notorious for actually attempting to sell the product to
the nth degree and if they can sort of do something that makes it sell
better they will. So instead of being advertised as "OrKestra" at a
gig that we did, we were advertised as the "Electric Light
Orchestra". And that was totally incorrect and nothing to do with us.
But unfortunately Jeff found out about it and threw an injunction our way,
so er..
Martin I believe that was in Oxfordshire as well
actually, quite near where I live.
Kelly It was in fact in
Oxfordshire, yeah. I think it was for the May ball at one of the colleges.
And the results, it resulted in it cost me about 5 grand to do exactly
what I wanted to do in the first place! (Laughs) From then on we were
officially ex-members of "ELO".
Martin I have to
say, speaking as a fan, I wasn't aware of that gig but someone came up to
me and said " I went to see the Electric Light Orchestra last
night." and I said "I don't think so." And they were quite
insistent that they had so I imagine something strange had gone on.
Kelly Exactly. It was very difficult at the time because we
couldn't change what had happened and it was not in our interests, it
certainly wasn't in my interests, to con people into thinking that we were
"Electric Light Orchestra" because people are gonna get
disappointed there's nothing wrong with telling people that you used to be
with "Electric Light Orchestra" and that your gonna play some of
the numbers that your well known for as well as your new ones, but you
can't get a new band off the ground if you pretend to be an old one. So
consequently that's why "ELO Part II" is called Part Two for legal
reasons and also to let people know that we're a brand new band.
Martin Yes. Before we go onto "Part II" I think we
should take a break and play an "OrKestra" track.
Kelly OK.
Martin Put you back on the spot
again, any favourite tracks from then?
Kelly Um ooh blimey.
I think probably, probably the single which was released, again, in Europe
and not in England and this is called "Fly Away".
FLY AWAY Plays
Fly Away by Orkestra
Martin That's "OrKestra" then and a nice little track
called "Fly Away". Now Kelly, some people think maybe when a band
is dead, you know, maybe you should leave it and move onto something
different. What's your reaction to that?
Kelly I suppose
sometimes its best to do that, but when your so well known for doing you
know, a certain type of material and you want to integrate the same style,
you want to stay with the same style, then there's nothing wrong with
letting people know where your roots were especially if your with a band
for 20 odd years. So its er, yeah, I can see the point from some peoples
point of view but er, if you can put the product together and still make
it sound really good, so the people who remember it, you know, are still
walk out of the theatre really happy about it then you know that's..
entertainment is the main thing anyway.
Martin I think
provided you're doing it well there's no reason why..
Kelly
Exactly. Erm if it wasn't being done very well that's fair enough but er,
I've been told... erm, its up to people to sort of come along and make a
judgement and write to us and let us know or write to you and you can let
us know as to whether they think the show is worthy of being called
"Electric Light Orchestra Part II".
Martin I've
noticed that since that band was put together we've had "Slade II"
and quite a few other bands "Part Two", so maybe you've started a
new trend.
Kelly Absolutely! Actually I was with Noddy
Holder a few weeks ago at a friends wedding, and er, he doesn't have a
problem with what's going on with "Slade Part II". It doesn't
bother him at all, he couldn't care less because he's quite happy doing
what he's doing, you know.
Martin What do the fans think when they turn up to the gigs?
Do you think they like to hear all the old stuff or do you think they
like to hear the new stuff as well?
Kelly I think a lot of the people have come along to, that
remember the old stuff and don't know the new band are obviously more into
the old stuff. I think a lot of people come with a sort of sceptics feel
as to whether its going to be any good or not and no-ones ever gone away
disappointed yet as far as I know. There are a lot of people who came
along in the early days of "Part II" to see the old stuff and have
gotten into the band as it is now and they've really enjoyed the new
material as well.
Martin And the good thing about "Part
II" I suppose is that you do get to write some of your own material?
Kelly Exactly, yeah. This is a complete sort of writing
partnership between us we all get to have a go at different things so its
better in that respect than the original line up.
Martin
One of the tracks you wrote that I really do enjoy listening to is a track
called "The Fox". Now is that a subject that's dear to your heart?
Kelly Erm, actually it didn't start out like that, although
yeah I'm an animal lover I've got a soft spot for animals, and I think fox
hunting is particularly despicable but this song wasn't actually written
as a protest song, it was purely something that popped into my head one
day when I was playing around with a drum machine and it turned out to be
this song about a fox that sounds like its a protest song but its not. But
it is, in fact, the story of a fox hunt as seen from the perspective of
the fox.
THE FOX Plays
The Fox performed by Kelly Groucutt (Solo)
Martin That's a track called "The Fox" performed there
by the "Electric Light Orchestra Part II". It was written and sung
by our special guest this evening, Kelly Groucutt, and its one of the
tracks you can hear when "ELO Part II" play at Aylesbury Civic
Centre this Thursday evening. And while Kelly takes a breather we'll play
another track from the band this is in fact an old one so you should all
know this, its called "Mr Blue Sky".
MR BLUE SKY Plays
Martin There you go, I hope you were all singing along to that
one. "Mr Blue Sky" originally a hit for "ELO" that is
"Part II's" version which can in fact be found on their new live CD
which is called "One Night". With me in the studio tonight is
bassist Kelly Groucutt and Kelly I was gonna ask you if the band had got
any plans to celebrate "ELO's" 25th anniversary next year?
Kelly Well were looking at it, we've got sort of people
looking at idea's and things but we've, it would be nice to do a tour of
various places mainly the world (laughs) but I doubt we could actually get
the funds together for that. But we'd like to do a lot of gigs with real
orchestras, which we've done some, in fact "Part II" have got an
album which we recorded live in Sydney, Australia last year, with a
complete orchestra and we've done a couple in the states as well. So it'll
be really nice to do a full blown tour of Britain with an orchestra
because I don't think we've done that.
Martin I suppose the
trouble with touring with an orchestra like that is it works out quite
expensive. Does it?
Kelly It does. The best thing to do
really, and its quite nice to do it, is to actually take the leaders of
the orchestra, which is what we did in Australia, take the leaders of the
orchestra with you wherever you go which is the sort of core and then
bring in musicians from locally when you hit a new city and it becomes
more cost effective then. But its still very expensive to fly a lot of
people around and cater for them as well, but we're looking for sponsors
actually for the 25th anniversary tour.
Martin Alright
then, good luck with that. Let me ask you, when "ELO Part II" are
resting do you go out and do gigs under your own name, or with any other
bands at all?
Kelly No I don't. I actually had a spell
in-between "Part II" almost splitting up and getting back together
again a couple of years age, and I went out and did sort of pubs and clubs
and things as a solo act which was quite enjoyable, sometimes. (Laughs)
And sometimes it wasn't! But no, now I'm sort of concentrating on
writing and er, or trying to concentrate on writing, maybe for a future
solo album.
Martin Good luck with that as well.
Kelly Thank you.
Martin Any favourite
artists at all that you listen to at home or you'd like to work with?
Kelly Oh, actually lots erm, particularly some of the new
girl singers they're great. Alanis Morrisette and Sheryl Crow and Björk.
Is it Björk? Is that right?!
Martin Yeah something like
that.
Kelly It sounds as though your throwing up actually
but its Björk, as everybody else calls her! (Laughs) So there's some very
impressive people around, and "Oasis" are great, although I
shouldn't be saying that because I'm an old man, maybe! But because sort
of certain connection to sounds to you know "The Beatles" and
"ELO" and all that.
Martin Yeah, in fact one of the
members of "ELO" did some session work for them, we were talking
about that earlier, a guy called Wilf Gibson, plays a bit of cello with
"Oasis". So there's a bit of a connection there. Tell me, if
"ELO Part II" were to split up what would you do? Would you form
another band?
Kelly Erm, that's difficult to say. I
wouldn't mind, if that actually happened, doing something in the Country
music scene because its a rapidly expanding music scene and I quite enjoy
Country music.
Martin OK well good luck with that and when
you do, if you do record anything else make sure you get us a copy and we
can play it exclusively to our patients and staff here at Stoke
Mandeville Hospital.
Kelly You know very well you'll be
the first Martin!
Martin I was going to ask you about plans
for the future but I think we've just about covered that, good luck with
the gig on Thursday.
Kelly Thursday the 29th at Aylesbury
Civic Centre.
Martin I'll be there,and thanks also for giving us some tickets to give out to
patients and staff at Stoke Mandeville Hospital.
Kelly
That's great, thank you.
Martin And we'll see you on
Thursday.
Kelly Its my pleasure, bye bye.
Martin That was Kelly Groucutt from "ELO Part II"
we'll finish on a new track from them, from their new live CD this is
"It Ain't Necessarily So".
This interview was recorded when "ELO Part II"
was the name of the band that Kelly was in.The band are now called
"The Orchestra"
As a fan of Roy Wood, ELO and related artists I've
been lucky enough over the years to get to know
some of the members of the various bands,
I'd known Kelly for over 20 years and shared a few pints, lots of
gigs and many funny emails with him.
Kelly was married to Anna, a good friend of mine who I've known forever,
and I was honoured to attend their wedding back in 2006.
As a coincidence, on the afternoon of 19th February 2009 I was actually
having a meal and a pint with another ex ELO member, Mike de Albuquerque
when I received the phone call confirming that Kelly has passed away
(for those that do not know, Kelly replaced Mike in the band and Mike
actually suggested Kelly to Jeff as a replacement) We both raised
a glass to a very talented musician and a very nice bloke.
Back in 1997 my Brother was recording a CD of his songs,
He knew I knew Kelly and he asked me if I thought Kelly would do the
vocals
on a track that he thought would suit his voice,
I wasn't sure that Kelly would be interested but I asked anyway and
he was more than happy to do it,
The Youtube video below features that very song (with thanks to Ken
Latta for some of the live photos)